click here, here and here

check out my facebook page! click and subscribe to my rss feed! follow or tweet me! please feel free to do both! :D

follow my blog via email!

Receive information automagically here.

E-mail:

Error: Twitter did not respond. Please wait a few minutes and refresh this page.

walid

walidwalidwalidwalidwalidwalidwalidwalid

here are his most recent pieces

walidwalidwalidwalidwalidwalid

walidwalidwalidwalidwalid

>>walid<<

“Walid’s luxurious pieces incorporate the ornament of 18th century design, textiles and beading. His one of a kind pieces are inspired by his lifelong love for all things historical, combined with a natural desire to travel.” – couturelab

listen to

‘wild ones’ by flo rida + ‘waka waka’ by shakira

xxx


in the black suit

the black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suitthe black suit

>>black<<

black in 50 diff languages.

mkazawi, braʔa, šuwín, swart, q̣eq, bukúsea, tumtum, locha, i zi e zezë, wasik, beč̣edir, أسود (aswad), սէւ (sev), negru, poʦitari, prietu, makálux, baaka, čˀiyara, uta’ta-i, qara, badeng, nākpo, Bɨɨh, beltz, ḳara, kpɛ̃̀, mbiring, чорны (čornɪ), याका (yaka), du, laωa, malotoŋ, mʌtum, q̣eq, gallardó, negre, hawókči, sewe-da, ɲataha, čɨkɨ, áttilong, ‘ärža, ᎬᎿᎨ (gvhnage), 黑(色) (hāk [sīk]), 黑色 (hēisè), klale, c̄oḳ, lusa, ik, ḳiḳ, xura, sįˀą, pa-ˀba-‘kã, súˀumuaraˀa, du, neru, noi, crna, černá, sort, zwart, nâi, paima, black, pʰãimaa, r̃aužo, nigra, must, karā, svartur, itim, musta, noir, swart, negro, შავი (shavi), schwarz, úri, siya, mɨtsia, μαύρο (mavro),  gurrngan, hũ, કાળો (kaaro), bak̑ī, ‘ele’ele, שחור (shakhor), काला (Kālā), dub, henḍe, fekete, svartur, nigra, ojii, ‘ärža, hitam, nirga, dubh, nero, kawolo, boš, 黒 (kuro),  sə, matuling, iIəbɨ, қара (ḳara), мусту (mustu), nég, czôrny, u’du’du, karhaini, roroo, sʸöd, काळे (kāle)

-

-

actually, i think that’s more than 50…

xxx

bubble pop electric

sofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia maurosofia mauro

>>hats off to sofia mauro<<

listen to natalia kills – ‘mirrors’

xxx

the story of…

kay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khankay khan

>>chaotic excess + pockets of space + photomontage + stiff, clean-cut edges + woahhh<<

kay khan, such a hero….CLEARLY, i can not get enough.

you know you want to click here

i copy/pasted her statement, because i could not have articulated her aesthetic any better:

“

My work is a mosaic of fragments, collected experiences, information, and images. This mosaic is both ideological and visual. I like to begin with an idea that I allow to develop unhindered to encompass anything from the serious to the absurd. No thought is isolated and the simplest can build upon itself. Layers of connected thoughts revealed in a succession of images link and multiply in evolving variations. In my recent work, for example, I sometimes begin with just a word, but already this word comes with many meanings and connotations. Then I make a connection, a thin bridge, between each word and its images, and other perhaps abstract and veiled yet related ideas. My artworks are often labyrinths of intricate wordplay. I want the words to be read as fleeting and visual impressions that interact with the other stitched images. The figures in my work in combination with the words form a running commentary.

In the Armor and Facade series, I want to “armor” modern society. These artworks are about how we protect and present ourselves. I begin with simple ordinary ready-made garments that I deconstruct; armor with quilting, imagery, and text; and then rebuild. Garments have their mundane yet necessary purpose to protect us from the elements. But they are obviously more than that in every society. They are our “decoration”; they express and reflect who we are as individuals and as a culture.

”

xxx

+ there’s a lecture/workshop from aug 2-7 2011……more infooooo right here

cheeriez

cherriez; abbey leecherriezcherriezcherriezcherriez; abbey leecherriez; tassels galore cherriez; thakooncherriezcherriez; abbey lee  cherriezcherriezcherriezcherriezcherriezcherriezcherriez; monique lhuillier cherriezcherriezcherriezcherriez

Here’s to montse, my little sister + all the fashion pieces that i believe are perfectly tailored to her Awesome personality.

enjoy a little more info:

montse is the kid we call by all other names like alice (pronounced aww-lis), dahhling + (just recently) cherriez…but never by her actual name: montse.

montse is petite but lives up to a half-full mentality; lip syncs/ does kareokes/ grooves all the moves to all the latest hits but never forgets the epics…especially ‘Grease’ ; kicks pizza express + all other pizza companies into oblivion w/ her chunky-to-the-point-of-overdose pizza; has 2 closets full of hand-me-down clothes she has yet to touch; has balls but listens to the likes of norah jones + sarah bareilles as well as disney’s ‘a whole new world’ (aladdin) … i often wonder to myself ‘where are her ovaries?’ Moving on. She’s the kind of sistahhhh who leaves her number on your phone w/ a whole set of several unused old numbers; devours dark chocolate; bears w/ her older sisters who used to sing ‘lulluby’ to her in mocking manly voices, run after her w/ blowpens + dress her up in all manners of attire inclusive of settings (meaning a push into the pool.)

she believes less is more, it’s quality not quantity; screams the LOUDEST; doesn’t understand limits; and is still the only person i know who has come up w/ absolutely hysterical dance moves to mandarin/spanish/tagalog/french vocab.

cheers cheeriez ♥

xxx

dalek/onono

dalek;painting;2009dalek;painting;2008dalek;painting;2008dalek;painting;2009dalek;painting;2010Ademar Ferrera; onono's 3rd collectionAdemar Ferrera; onono's 3rd collectionAdemar Ferrera; onono's 3rd collectionAdemar Ferrera; onono's 3rd collectionAdemar Ferrera; onono's 3rd collection

>> 2d paintings as good as a blind man’s braille + shades, lines, shapes, designs that draw the viewer to filter for socio-cultural undertones + mash + commercial logos + plastic wristbands + a new character + new heights + some brazilian humor <<

DALEK + ONONO = SALT + PEPPER

james marshall better known as dalek, + onono (the newly born fashion brand (2009)) headed by ademar ferrera) are responsible for the magnificent pieces above. They complement each other, maybe they should do a collaboration…I think they should, especially since onono favors doing collaborations with a Ton of people; his previous collection involved 7 other artistically-inclined folks (two of whom pioneer the contemporary dance group desaba). It says so Here. soooooooo what do you think? Yes, no? let your fingers do the talking down below…anyways, I surfed up on james marshall, found his site, spent about 30mins soaking up all his artwork, checked out his bio, and this is what i found: he’s a tattooed skateboarder from a military family, hit a milestone when he worked for takashi murakami (for painting), settled on a minimalist+flat style w/ which he developed his famed SPACE MONKEY, his masterpieces glorify ‘a profusion + hyper-abundance of color + planes of space’ + lastly he describes the push/pull forces of contemporary life as ‘an ever-expanding, contracting, barely breathing universe, contemplating suffocation while simultaneously hover[s] over the consequences of not exploring further the options that no longer l[ie] waiting in the back of the coatroom.’  I consider his perception brighter than sunshine.

And it will be so, for the next twenty years.

xxx